Live Trading News
Shayne Heffernan

Art News: Bernini Drawing sold for $2.3m

By Shayne Heffernan2 min read

A rare drawing by the Italian 17th century sculptor and architect Gian Lorenzo Bernini sold for 1.9 million euros ($2.3 million) in France on Saturday, the highest price ever paid for a drawing by the artist, the auction house said.

The original estimate price for the sanguine, or red chalk drawing of a male nude dating from somewhere between 1630 and 1640, had been set at 30,000-50,000 euros by the Acteon auction house in Compiegne, northern France.

But an anonymous, "probably Anglo-Saxon", buyer secured it for 1.3 million euros, which including fees and commission represented a final purchase price of 1.9 million euros, auctioneer Dominique Le Coent told AFP.

The previous world record price paid for a Bernini drawing was 139,000 euros in 2014.

Bernini (1598-1680) designed statues for many of Rome's landmarks such as the Four Rivers Fountain in Piazza Navona.

The "Academie d'Homme" drawing, which belongs to an "extremely small body of academic drawings known to be by Bernini", Le Coent said.

Art historians know of only seven others, "all preserved in museums and institutions, including one at the Uffizi Museum in Florence".

The auction, broadcast live on the internet, attracted the interest of many collectors, mostly international, and there were nine telephone bidders.

Discovered in Compiegne, the drawing was first mistakenly attributed to the French Baroque sculptor Pierre Puget (1620-1694) before being authenticated as a work by Bernini.

Scala Regia on Instagram: “"The Vision of Constantine". Gian Lorenzo Bernini,  1670. Photo by Sailko, 2017. #art… | Baroque sculpture, Bernini sculpture,  Baroque art
Scala Regia on Instagram: “"The Vision of Constantine". Gian Lorenzo Bernini, 1670. Photo by Sailko, 2017. #art… | Baroque sculpture, Bernini sculpture, Baroque art
Keep reading
AI slop

AI is the Neat Handwriting of the Illiterate

A model in the hands of someone who has read the filing and walked the plant is a clerk. The same model, speaking for someone who has done neither, is a disguise. On AI slop, phantom citations and factslop, why finish stopped being evidence of work, and the containment layer KXCO built so a machine cannot speak as the institution until a source is attached.

Shayne Heffernan19 min
worthship

Worthship: Do Not Conform to the Age

Worthship is the older English word for worship, and it means to ascribe worth. Bishop Robert Barron preached Romans 12 on 30 August. This essay follows the text into the prison letters, and puts two questions to a graph: do the four readings of that Sunday agree, and was Paul free or in chains when he wrote about despair?

Shayne Heffernan17 min
truth

The Truth in All Its Ugliness Must Survive

A majority vote does not determine the truth. Consensus is a mood, gossip is a sport, and a model will write the pretty version for free. Why the ugly number has to survive, why a record beats a dashboard, and what KXCO was built to keep standing when the room changes its mind.

Shayne Heffernan8 min
Shayne Heffernan

Don't Be the Best, Be the Only: Winning in an AI World

AI is repricing competence downward. What it cannot reproduce is a life. The case for remaining non-fungible, why friction still produces the best ideas, and what it means to build AI systems that keep the human intellect in them.

Shayne Heffernan18 min
Read Live Trading News on Telegram

Every story, signed and delivered.

Subscribe to the kxco channel and get the headline, the AI-written key takeaways, and the chain-anchor link the moment we publish. Audio versions and per-ticker subscriptions arrive in the next iteration.

Open @KnightsbridgeInsightsNo email required.