FLASH: Almost 2,000 years after Pompeii was destroyed by a volcanic eruption, the ancient Roman city is still giving up its long-buried secrets.
Fantastic frescos, preserved mosaics and obscene graffiti are just some of the discoveries emerging from the largest archaeological dig at the site since the 1950’s.
As teams of construction workers shore up mounds of earth pressing down on the excavated areas to prevent them crushing the ruins, archaeologists and conservationists are busy restoring newly discovered art and bolstering fragile walls.
The activity marks the final stages of the “Great Pompeii Project,” launched in Y 2012 after a spate of cave-ins, with the European Union and Italian state handing over $118-M to stop the decay.
“The risk of collapse, of serious damage is past. Now Pompeii is quite safe,” said Francesco Muscolino, 42 anni, an archaeologist working on the program.
The extensive conservation work has enabled scholars to uncover a few more areas of Pompeii still buried under volcanic debris, including two large houses, alleyways, highly decorated interiors and a brightly colored snack bar.
Pompeii was blanketed by volcanic ash when Mount Vesuvius exploded in AD 79, killing thousands of Romans who had no idea they were living beneath 1 of Europe’s biggest volcanoes.
Memory of the disaster faded over time and it was not until Y 1748 that any meaningful exploration was undertaken. More systematic excavations were launched the following century, but by the end of the 20th Century, neglect, lack of funds and repeated flooding were taking a heavy toll.
In Y 2010, less than 15% of the excavated area was accessible to tourists, wild dogs roamed the paved streets, and only 10 buildings were open, Vs 64 in Y 1956.
Today, around 70% of the uncovered city is accessible and more than 30 fully restored buildings can be visited.
The improved access has helped lift tourist numbers, with some 3.5-M people coming to Pompeii last year, an increase of 1-M in just a decade. Even more visitors are expected as the latest finds are gradually unveiled to the public.
Among the highlights are a fresco of the Greek mythological figure Narcissus leaning languidly on a block of stone and staring down at his own reflection in a pool of water.
In the same house, archaeologists found a small, exquisite wall painting portraying the seduction of the Spartan Queen Leda by the Greek God Zeus, disguised as a swan.
“It was wonderful because it is very beautiful and in very good condition,” said Stefania Giudice, one of the conservationists tasked with preserving the new discoveries.
The fresco’s bright colors have already faded since the ash and pumice were painstakingly removed last year as moisture on the surface of the wall dried out, dulling the rich tones.
“We will clean it and protect it and get the beautiful colors back,” Mr. Giudice said, predicting that the fresco-rich house, still partially buried, would be opened to the public within 1-2 years as new tourist routes were laid out.
Elsewhere, some graffiti contains graphic sexual references.
Perhaps one of the most significant finds was the least spectacular at first sight – a brief charcoal inscription which cites the date 17 October written in the hallway of a grand house where 6 bodies were also discovered.
Archaeologists believe the faint note might have been written just before the eruption, meaning the disaster probably struck 2 months later than previously thought.
Mr. Muscolino predicted it would take many years for scholars to assimilate and interpret all the material recovered in recent months, with trays of delicate glass, fresco fragments, plaster moldings, coins and amphora stored away for future research.
More than 270 years after the 1st serious excavations began, a 3rd of the city, which covers roughly 165 acres remains buried and unexplored.
But there are no plans for further, major digs after this latest project ends, with the emphasis now on conservation.
“Excavations are like having children. You have to take care of them. You cannot just abandon what you find and move on to the next thing,” said Mr. Giudice. “It is a real responsibility.”
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